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Download Four Fish: The Future of the Last Wild Food, by Paul Greenberg

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Four Fish: The Future of the Last Wild Food, by Paul Greenberg

Four Fish: The Future of the Last Wild Food, by Paul Greenberg


Four Fish: The Future of the Last Wild Food, by Paul Greenberg


Download Four Fish: The Future of the Last Wild Food, by Paul Greenberg

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Four Fish: The Future of the Last Wild Food, by Paul Greenberg

About the Author

Paul Greenberg is the author of the New York Times bestseller Four Fish: The Future of the Last Wild Food. Four Fish has been published throughout Europe and Asia and was picked by The New York Times, The New Yorker and Bon Appetit as a notable book of 2010. Greenberg has just completed his next work, American Catch: The Fight for Our Local Seafood (Penguin Press, June, 2014) a book that explores why the United States, the country that controls more ocean than any nation on earth imports 90 percent of its seafood from abroad. Mr. Greenberg writes regularly for the New York Times Magazine, Book Review and Opinion Page and also contributes to National Geographic, Vogue, GQ, The Times of London, Süddeutschen Zeitung, and many other publications. He has lectured widely at institutions around the country including Harvard, Yale, Google, The United States Supreme Court and The Monterey Bay Aquarium. Over the last ten years he has been a W.K. Kellogg Foundation Food and Society Policy Fellow, New York's South Street Seaport Museum's Writer-in-Residence and a fellow with the Blue Ocean Institute. He is the recipient of a James Beard Award for Writing and Literature, and a Grantham Prize Award of Special Merit. In 2014 he began a three year Pew Fellowship in Marine Conservation during which he will write "The Omega Principle: The health of our hearts, the strength of our minds, and the survival of our oceans all in one little pill." Twitter: @4fishgreenberg Facebook: facebook.com/fourfish Web: www.fourfish.org

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Excerpt. © Reprinted by permission. All rights reserved.

Introduction In 1978 all the fish I cared about died. They were the biggest largemouth bass I had ever seen, and they lived in a pond ten minutes’ walk from my house on a large estate in the backwoods of Greenwich, Connecticut, perhaps the most famously wealthy town in America. We did not own the house, the estate, the pond, or the largemouth bass, but I still thought of the fish as my fish. I had found them, and the pond was my rightful hunting ground. My mother had rented the house as she would three other homes in Greenwich, because it gave the illusion of magnificent proprietorship. She tended toward small cottages on large estates— converted stables, liverymen’s accommodations that were the unclaimed, declining appendages of older, fading wealth, unsold because of divorces or other family complications, rented out to us for a reasonable fee that would become unreasonable and impel our moving on to other cottages on other collapsing estates. Fishing was the one constant during these years. Sensing in it a masculine, character-building quality, my mother arranged it so that the cottages we rented always had access to streams and lakes or abutted other properties we could trespass upon that had such resources. She trusted my instincts for spotting fishy water and used me as a kind of divining rod before signing a lease. And for most of my childhood, we were within a short walk of a potentially fruitful cast. Our longest residence was in the aforementioned house near the giant largemouth bass. In the first two years we lived there, I spent all my summer evenings and weekend mornings pursuing them. In the winter of 1978, though, a fierce blizzard hit southern Connecticut. Temperatures were often below zero and at one point it snowed for thirty-three hours straight. Perhaps it was the cold that killed the fish, or the copper sulfate I helped the caretaker drag through the pond the previous summer to manage the algal blooms, or maybe even the fishermen I’d noticed trespassing on the estate one day, scoping out my grounds. But whatever caused it, after that winter never again did I spot a living fish. Of course I tried. I trolled pretty much every square foot after school the following year, often with a neighbor who had moved in after the era of the great fish. When two months of dragging lures up and down the shoreline produced not even a strike, my neighbor finally stuck a pin in my irrational bubble of hope. “I don’t care what you say about what was,” I remember him shouting. “There is not a fucking fish in this whole goddamn lake, and I’m never fishing here again.” Like any hunter whose grounds have gone bad, I set out looking for new territory. I followed the outflow of the pond down a series of cascades that in turn flattened out into a low, swampy meadow of deep oxbows. Only minuscule shiners, crawfish, and escaped goldfish swam here. Farther and farther I went, until the stream joined a larger river and passage was blocked by a fence that a wealthy landowner had erected. Inspecting a map at the library, I found that this was a significant juncture for my stream (as with “my” pond, I had annexed the stream and referred to it now as “mine”). The point at which it was no longer my stream was where it entered the Byram River, a flow that during the times of Native American sovereignty was called the Armonck, or “fishing place,” but which, according to one local legend, the English renamed because of the native tendency to pester white men with armfuls of shad and herring for trade and the endlessly repeated entreaty “Buy rum? Buy rum?” The Byram continued south for another ten miles after the juncture before widening and finally emptying out into the sea. The beginning of an idea came to me. Several hundred dollars made it into my account after an ersatz bar mitzvah that my partially Jewish family cobbled together for me when I turned thirteen, and through a debt-leveraged matching grant from the depths of my mother’s complicated finances I was able to purchase a used aluminum boat and a twenty-horsepower outboard engine. Using her good figure and her ability to forge solidarity with the working classes (she had been a friend of the American socialist Michael Harrington and was an experienced strike aide-de-camp), my mother persuaded the Greenwich harbormaster to let us jump the waiting list for a boat slip at the Grass Island Marina. By the summer of 1981, I had a boat, a place to store it, and several thousand square miles of sea for my own use. Better hunting grounds had been found at last. This was not the time of child seats or swallowproof soda-can tabs. No safety seals secured Tylenol bottles or yogurt containers. Today it would be considered parental negligence, but in that first summer of boat ownership my mother would drive me down to the Grass Island Marina, seat belt–less, in her black secondhand luxury-edition Chrysler Cordoba and drop me off at my thirdhand boat. As I finished dumping my gear out of her trunk, she would light a Dunhill cigarette, cough heavily, and then, with a glance in her rearview, speed off into the childless afternoon ahead of her. So, at the age of thirteen, I learned how to navigate and fish on the sea by myself. It wasn’t difficult—I’m sure most children, given the opportunity, could have figured it out. Once upon a time, being thirteen really did mean you were a man. But the feeling of steaming out into open water in pursuit of wild game, leaving the financial and physical constriction of mainland Connecticut behind, was exhilarating. I did not have a GPS to plot my position or sonar to help me find fish. There was no cell phone to “check in” with home. I learned to find quarry by chasing flocks of diving terns or following a line of rocks from the shore with the assumption (usually right) that they indicated similar fish-holding rock piles down below the surface. If a rivet came loose from the hull of my boat—a sometime occurrence, since the hull had not been anodized to withstand salt water—I would slip off a flip-flop and hold the errant piece of metal in place with my big toe. I was sometimes able to persuade my older brother to join me, but midway through that first summer he announced that he “no longer wanted to kill things.” I didn’t mind. I was happy to be alone with the fish and the ocean. By my second year of boat ownership, I began to understand the flow of fish as they came and left Long Island Sound. St. Patrick’s Day, around when the forsythias first bloomed, was the time to test the mudflats for flounder just off the Indian Harbor Yacht Club docks. By April, when the forsythia shriveled to brown and the dogwoods came into flower, mackerel would have passed into the Sound and blackfish would be on the reefs surrounding Great Captain Island—a sure sign that it was time to put the boat in the water. Soon the lilacs would blossom, heralding the arrival of the first weakfish and porgies in May. And by the time lawns were being mowed with ferocity ashore, bluefish were coming into the harbors, devouring the mackerel and menhaden and everything else that had the misfortune to get in their way. Striped bass, the prize of prizes, were also rumored to make an appearance around this time, though for me those fish remained only a rumor—they were already too rare for a poorly skilled captain to find them. By fall, blackfish would arrive again, along with a reappearance of flounder, and by wintertime, when my boat was back on blocks and nothing could be caught, I would enlist the much more substantial financial resources of my father and cajole him into taking me fishing on the Viking Starship party boat out of Montauk, where we would steam miles and miles offshore in search of codfish. Before self-sufficiency became trendy and “locavorism” a catchword, I learned how to make my pastime “sustainable.” Season by season I would take my surplus catch to the parking lot of my junior high and sell my fish out of the trunk of my mother’s Cordoba for a dollar a pound. The miserably paid teachers would crowd around, and by the end of a sales session I would have enough cash on hand to buy gas for the next trip out. The years of my boat and “my” ocean gave me a deep, atavistic belief in the resilience of nature. Even with the proximity of the Gatsbyesque mansions hugging the shorelines, the faint roar of I-95 audible as I cruised the bays, and all the other evidence of human civilization, Long Island Sound still felt to me like wilderness—a place to freely search out and capture wild game. I thought of the sea as a vessel of desires and mystery, a place of abundance I did not need to question. The ocean provides, therefore I fish. During my childhood I was often reminded how wealthy my neighbors and schoolmates were and how insecurely my family lived by comparison. The sea, meanwhile, was the great leveler. No fisherman, no matter how rich, had any more right than I did to a huge expanse of territory and resources. But the desire to pursue fish and the desire to pursue females of your own species are inversely proportional. The fishing jones waxes from about age seven until sixteen or so and then abruptly withers in the harsh hormonal light of adolescence. Brief hot flashes of the fishing urge come on at times in the high teens, but they have an unanchored quality. The prime directive of life has shifted, and dusk no longer conjures the possibility of seabirds diving into a school of breaking game fish, but rather the moment when perfume and perspiration waft into the air, intermingled. The summer I turned eighteen, my boat never left the two sawhorses it sat upon in wintertime, and it moldered, barnacle-covered, like a nautical version of Shel Silverstein’s The Giving Tree, in the grassy parking spot adjacent to the last of my mother’s rental cottages. And by the time I was nineteen and in college, I no longer came back to Long Island Sound. My mother sold my boat when I turned twenty. Fishing had done whatever good it was going to do for me as a man, she figured, and that was that. But while erotic love between two parties tends to vanish for good when it exits, the bond between fishers and fishing has a way of circling back and restoring itself along different lines. After a decade and a half of various romantic false starts, often abroad, I found myself on the East Coast in my early thirties with a renewed desire to fish. Yet, like all mature loves, this next fishing phase aroused suspicion as well as pleasure. The second fishing period of my life was also brought on by my mother. I had recently returned from working in Bosnia, a frustratingly landlocked and ruined place, where the best spots for natural idylls had been rolled over by tanks or scavenged to the bone by refugees. I often found myself staring down into the Drina River near the bullet-pocked city of Mostar, bluer than blue, but ultimately fishless from four years of war and subsistence angling. During my time abroad, my mother and I had grown estranged and spoke rarely. This continued until she quickly ended the estrangement by receiving a diagnosis of metastatic lung cancer. I quit my job and spent the spring with her. Most of the afternoons of these three bad months were at her bedside, and, as can happen with someone fast approaching death, conversations were far-ranging, mundane, significant, and entirely out of context. Toward the middle of the second month, a clarity came over her; she could see the strain that her bad end was putting on me. One afternoon she sat up in bed and attempted to fix her wandering eyes into a focused, important stare. “Why don’t you go fishing?” she asked, then fell back in a coughing fit. Fishing? What a thought! But then again, why not? My brother was on hand to take care of our mother for the few days I’d be gone. It was April. A good fishing time for the East Coast, as I remembered it. Forsythias were still in bloom, and dogwoods were coming on, which meant flounder, blackfish, and mackerel. But when I called around to the tackle shops I had frequented in my youth, I found that the narrative of the spring migration had changed. The flounder season had been curtailed to only a few short weeks, and people spoke of a two-fish outing as a banner day, whereas once we had caught bucketfuls. Blackfish were hard to come by. Mackerel had not entered the eastern half of the sound in any numbers in a decade. A little bit farther afield, codfish that I used to catch with my father on divorced-dad weekends aboard the massive Viking Starship were almost nonexistent. There had to be fish out there somewhere, but the terrain had changed and I didn’t know how to find my bearings. And when my mother finally died in June of 2000 and we spread her ashes at Tod’s Point in Greenwich, the anglers who worked the shoreline there were fewer than I remembered and their buckets were generally empty. Loss can have a tricky way of playing itself out in the mind of the loser. A psychologist once told me that in the face of loss either you can grieve the lost thing or you can incorporate it into your very being and thus forestall the grieving. Fishing somehow came to be that lost thing I clung to. With the help of my mother’s 1989 Cadillac Brougham, a car she’d scarred badly on a stone pillar when the half dozen tumors in her brain had partially blinded her, I drove up and down the Connecticut and Long Island shores, northward to Massachusetts and Maine, and south again through the Carolinas and Florida, fishing all the way. And all the way, fisherman after fisherman echoed the same complaints: smaller fish, fewer of them, shorter fishing windows, holes in the annual itineraries of arrivals and departures, fewer species to catch. In addition to fishing, I did one other thing that had been a habit of my former fishing self—I visited fish markets and tried to divine the provenance of what was on ice. The difference was palpable. If, after taking in a screening of the movie Jaws in the summer of 1975, you were to walk down to the bottom of Greenwich Avenue to the Bon Ton Fish Market near Railroad Avenue (as I did on many occasions), you would likely have found at least a dozen varieties of finfish displayed. Many of those fish would be from local waters. All of them would be wild-caught. They would buoy you up with their size and color, the clearness of their eyes, and the fresh quality of their skin. But in the early 2000s, as I traveled the eastern seaboard, I saw that a distinctly different kind of fish market was taking shape. Abundance was still the rule, and yes, I still saw groupings of many species that could give the impression of variety and richness. But like anyone who fishes regularly, I have some ability for decoding the look of fish flesh, and I can usually tell how long ago a fish was caught and whether the names fish are sold under are quaint localisms or intentional obfuscations of something alien from far away. What I noticed was that in the center of the seafood section, whether I was in Palm Beach, Florida; Charleston, South Carolina; or Portland, Maine, four varieties of fish consistently appeared that had little to do with the waters adjacent to the fish market in question: salmon, sea bass, cod, and tuna. Just as seeing my stream entering the Byram River had given me the idea to pursue the wider world of the ocean, seeing this peculiarly consistent flow of four fish from the different waters of the globe into the fish markets of America drew me again beyond the familiar to find out what had happened. I spent the next few years, sometimes on my own recognizance, sometimes for the New York Times, traveling to places I had previously only read about in the pages of Field & Stream and Salt Water Sportsman. The more I examined the life cycles and the human exploitation of salmon, sea bass, cod, and tuna, the more I realized that my fishing history and the fishing history of humankind followed a similar pattern. Just as I had started out inland in a freshwater pond and then made my way down a river to coastal salt water when my grounds had gone bad, so, too, had early human fishers first overexploited their freshwater fish and then moved down the streams to their coasts to find more game. And just as I later turned to the resources of my father to take me far offshore to catch codfish beyond sight of land, so, too, had humans marshaled the resources of industry into building offshore fishing fleets when they found their near-shore waters incapable of bearing humankind’s growing burden. The more I thought of it, the more I realized that the four fish that are coming to dominate the modern seafood market are visible footprints, marking four discrete steps humanity has taken in its attempts to master the sea. Each fish is an archive of a particular, epochal shift. Salmon, a beautiful silvery animal with succulent pink flesh, is dependent upon clean, free-flowing freshwater rivers. It is representative of the first wave of human exploitation, the species that marks the point at which humans and fish first had large-scale environmental problems and where domestication had to be launched to head off extinction. Sea bass, a name applied to many fish but which increasingly refers to a single white, meaty-fleshed animal called the European sea bass, represents the near-shore shallow waters of our coasts, the place where Europeans first learned how to fish in the sea and where we also found ourselves outstripping the resources of nature and turning to an even more sophisticated form of domestication to maintain fish supplies. Cod, a white, flaky-fleshed animal that once congregated in astronomical numbers around the slopes of the continental shelves many miles offshore, heralded the era of industrial fishing, an era where mammoth factory ships were created to match cod’s seemingly irrepressible abundance and turn its easily processed flesh into a cheap commoner’s staple. And finally tuna, a family of lightning-fast, sometimes thousand-pound animals with red, steaklike flesh that frequent the distant deepwater zones beyond the continental slope. Some tuna cross the breadth of the oceans, and nearly all tuna species range across waters that belong to multiple nations or no nation at all. Tuna are thus stateless fish, difficult to regulate and subject to the last great gold rush of wild food—a sushi binge that is now pushing us into a realm of science-fiction-level fish-farming research and challenging us to reevaluate whether fish are at their root expendable seafood or wildlife desperately in need of our compassion. Four fish, then. Or rather four archetypes of fish flesh, which humanity is trying to master in one way or another, either through the management of a wild system, through the domestication and farming of individual species, or through the outright substitution of one species for another. This is not the first time humanity has glanced across the disorderly range of untamed nature and selected a handful of species to exploit and propagate. Out of all of the many mammals that roamed the earth before the last ice age, our forebears selected four—cows, pigs, sheep, and goats—to be their principal meats. Out of all the many birds that darkened the primeval skies, humans chose four— chickens, turkeys, ducks, and geese—to be their poultry. But today, as we evaluate and parse fish in this next great selection and try to figure out which ones will be our principals, we find ourselves with a more complex set of decisions before us. Early man put very little thought into preserving his wild food. He was in the minority in nature, and the creatures he chose to domesticate for his table were a subset of a much greater, wilder whole. He had no idea of his destructive potential or of his abilities to remake the world. Modern man is a different animal, one who is fully aware of his capability to skew the rules of nature in his favor. Up until the midtwentieth century, humans tended to see their transformative abilities as not only positive but inevitable. Francis Galton, a leading Victorian intellectual, infamously known as the founder of eugenics but also a prolific writer on a wide range of subjects including animal domestication, wrote at the dawn of the industrialization of the world’s food system, “It would appear that every wild animal has had its chance of being domesticated.” Of the undomesticated animals left behind, Galton had this depressing prediction: “As civilization extends they are doomed to be gradually destroyed off the face of the earth as useless consumers of cultivated produce.” And that brings us to the present day, the crucial point at which we stand in our current relationship with the ocean. Must we eliminate all wildness from the sea and replace it with some kind of human controlled system, or can wildness be understood and managed well enough to keep humanity and the marine world in balance? In spite of the impression given by numerous reports in the news media, wild fish still exist in great numbers. The wild harvest from the ocean is now around 90 million tons a year. The many cycles and subcycles that spin and generate food are still spinning, sometimes with great vigor, and they require absolutely no input from us in order to continue, other than restraint. In cases where grounds have been seemingly tapped out, ten years’ rest has sometimes been enough to restore them to at least some of their former glory. World War II, while one of the most devastating periods in history for humans, might be called “The Great Reprieve” if history were written by fish. With mines and submarines ready to blow up any unsuspecting fishing vessel, much of the North Atlantic’s depleted fishing grounds were left fallow and fish increased their numbers significantly. But is modern man capable of consciously creating restraint without some outside force, like war? Is there some wiser incarnation of the hunter-gatherer that will compel us to truly conserve our wild food, or is humanity actually hardwired to eradicate the wild majority and then domesticate a tiny subset? Can we not resist the urge to remake a wild system, to redirect the energy flow of that system in a way that serves us? In his landmark 1968 essay in the journal Science, “The Tragedy of the Commons,” the ecologist Garret Hardin noted that “natural selection favors the forces of psychological denial. The individual benefits as an individual from his ability to deny the truth even though society as a whole, of which he is a part, suffers.” What we have seen up until now, with both the exploitation of wild fish and the selection and propagation of domestic fish, is a wave of psychological denial of staggering scope. With wild fish we have chosen, time after time, to ignore the fundamental limits the laws of nature place on ecosystems and have consistently removed more fish than can be replaced by natural processes. When wild stocks become overexploited, we have turned to domestication. But the fish we have chosen to tame are by and large animals that satisfy whimsical gustatory predilections rather than the requirements of sound ecologically based husbandry. All these developments have gone on underwater and out of sight of the average modern seafood eater. We eat more fish every year, not just collectively but on a per capita basis, pausing only (and only briefly) when evidence surfaces of the risk of industrial contaminants in our seafood supply. Under the umbrella of these collective acts of denial, individual and corporate rights, national prejudices, and environmental activism have been cobbled together into something government officials like to call “ocean policy.” In fact, there is no “ocean policy” as such, at least none that looks at wild and domesticated fish as two components of a common future. But now, as wild and domesticated fish reach a point where they are nearly equal parts of the marketplace, this is just the kind of ocean policy we need. And in telling the story of four fish, for which the collision of wildness and domestication is particularly relevant, I shall attempt to separate human wants from global needs and propose the terms for an equitable and long-lasting peace between man and fish.

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Product details

Paperback: 304 pages

Publisher: Penguin Books; Reprint edition (May 31, 2011)

Language: English

ISBN-10: 9780143119463

ISBN-13: 978-0143119463

ASIN: 014311946X

Product Dimensions:

5.1 x 0.8 x 8 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

183 customer reviews

Amazon Best Sellers Rank:

#32,953 in Books (See Top 100 in Books)

As an avid recreational fisherman for over 40 years, this book really hits home. Although I am a native Floridian, I enjoyed the efforts put in by the author and his subjects from their varied parts of the world. We, as humans, have over fished even the smallest bodies of water. It's time that someone takes a stand for our future generations.This book is well written and easy to read. Initially I thought I would need a dictionary, but I plodded through with no issues.Thanks for the otolith idea. Imagine the looks when I try this my next time dining out!

Four Fish makes fish INTERESTING—and I don't even eat fish! The four fish that are investigated are the Tuna, the Salmon, the Bass, and the Cod—the four fish that dominate the menus at fancy restaurants and fast food chains and family dinner tables.The underlying premise is that globally we are overfishing. We are harvesting more fish every year than are produced. In some cases we have less than 10% of the fish that were there when commercial fishing started. This is obviously not sustainable.For each of the four fish, the book discusses what attempts are being made to solve the problem, and the pros and cons of each method. Some advanced genetic techniques are working to a degree (implants that release hormones so that fish will spawn yearlong and not just all at the same time once a year, and breeding fish that can gain weight at quadruple the rate of the original versions, etc). A lot of people have tried farming the fish, some species are more successful than others.Some of the fish are more sustainable than others, and Greenberg makes the case that we need to choose our “everyday” fish from the fish that are plentiful and easy to raise and which can turn a high percentage of their feed into pounds of meat, and to consider the other fish to be “special occasion” fish. For example, it can take over TWENTY pounds of feed for a bluefin tuna to produce one pound of meat. This is not a good trait for farmed fish, and it also makes tuna inappropriate as a main source of wild caught meals for us. Regular salmon takes up to six pounds of feed to produce a pound of flesh, while breeders have improved farmed salmon to the point where it takes as few as three pounds. This is obviously much better for the environment and the world of “fish as food”--and more sustainable. Yet, the amount of salmon consumed has doubled over the last 20 years, and we are not able to keep up with the demand. Sea bass also requires almost three pounds of feed for every pound of flesh.Another way to solve this problem would be to select the fish we eat based on how easy they are to farm, and how efficiently they turn feed into flesh—to enable us to have the 2.2 billion pounds of fish that is consumed annually without depleting the resources.Greenberg's book is compelling and concerning. Destined to become a classic like the iconic Cod!!

You don't have to be a fish lover to enjoy this book, although it wouldn't hurt. The four fish examined in author Paul Greenberg's book are Salmon, Cod, Sea Bass, and Tuna. Why these four? They are the four fish most likely to end up on your dinner plate.The goal of the book is to educate the reader on the pros and cons of wild versus domesticated fish. The author explores every conceivable viewpoint: farmed fish, the intermingling of farmed and domesticated fish, overfishing, genetic modification, fishing subsidies, catch limitations, no catch zones, regulations, etc.I'm not a sushi lover, but I did try a spicy tuna roll after reading the section on tuna. I also found myself watching the show Wicked Tuna. My takeaway after reading the book is that if we don't make some radical changes soon, we could find ourselves in a situation where the demand outstrips the supply.The author doesn't just spell out the many problems associated with demand and supply, he offers a number of well thought out solutions. One solution that made a lot of sense to me was switching to a fish more suitable to domestication called a Kona Kampache.My concern is that many of the solutions the author suggests require government oversight. The problem I see is when you have governments and legislators who believe that regulations are bad or when the people who are responsible for the regulations don't rely on science and fact when making their decisions.After finishing the book, I headed to a fancy seafood restaurant. I had the Ahi Tuna. My guest had the sea bass. Both were good. Both were expensive. No one has to worry about me consuming too much fish.

A fact filled consideration as to how the world's fishing stocks now require a sophisticated, international, effort to preserve one of the planet's great natural resources that is --sadly-- dwindling. This book makes one appreciate how easily we, 'we' meaning human kind, can so easily take the world's abundance for granted. The author writes this book as a warning as to how important it is for all of us to work together. The book is a smooth read, but has cumbersome, ponderous moments. A good editor could reduce this text by a good 25%.

We who like to fish often focus on the fragile nature of the balance between keeping and releasing, of conserving both the fish and the environment they live in, of getting access and protecting our rights. I wonder how many of us understand the dire straits the fish of this world are in? This book doesn’t discuss flies or lures or trips to New Zealand for trophy brown trout. It expands the reader’s view to the broader picture, the crisis that faces the fish, the world and each of us. The author is not a hysterical zealot raging against the injustice of it all. Rather he presents a scientific and scholarly discussion of where we are all heading with regard to fish as a food source in a very readable and entertaining way. As we lobby to protect our recreation, we better also pay attention to this topic, as once our fish are needed to feed the world, priorities are bound to shift and we will be left with tofu and stories of the fishing that once was.

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Selasa, 21 Juli 2015

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PDF Ebook By Herbert J Rubin - Qualitative Interviewing: The Art of Hearing Data (7/20/04)By Herbert J Rubin

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  • Sales Rank: #1588717 in Books
  • Published on: 2004-07-20
  • Number of items: 2
  • Binding: Paperback

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Minggu, 19 Juli 2015

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A Practical Approach to Large-Scale Agile Development: How HP Transformed LaserJet FutureSmart Firmware (Agile Software Development Series)

Today, even the largest development organizations are turning to agile methodologies, seeking major productivity and quality improvements. However, large-scale agile development is difficult, and publicly available case studies have been scarce. Now, three agile pioneers at Hewlett-Packard present a candid, start-to-finish insider’s look at how they’ve succeeded with agile in one of the company’s most mission-critical software environments: firmware for HP LaserJet printers.

This book tells the story of an extraordinary experiment and journey. Could agile principles be applied to re-architect an enormous legacy code base? Could agile enable both timely delivery and ongoing innovation? Could it really be applied to 400+ developers distributed across four states, three continents, and four business units? Could it go beyond delivering incremental gains, to meet the stretch goal of 10x developer productivity improvements?

It could, and it did—but getting there was not easy.

Writing for both managers and technologists, the authors candidly discuss both their successes and failures, presenting actionable lessons for other development organizations, as well as approaches that have proven themselves repeatedly in HP’s challenging environment. They not only illuminate the potential benefits of agile in large-scale development, they also systematically show how these benefits can actually be achieved.

Coverage includes:
• Tightly linking agile methods and enterprise architecture with business objectives
• Focusing agile practices on your worst development pain points to get the most bang for your buck
• Abandoning classic agile methods that don’t work at the largest scale
• Employing agile methods to establish a new architecture
• Using metrics as a “conversation starter” around agile process improvements
• Leveraging continuous integration and quality systems to reduce costs, accelerate schedules, and automate the delivery pipeline
• Taming the planning beast with “light-touch” agile planning and lightweight long-range forecasting
• Implementing effective project management and ensuring accountability in large agile projects
• Managing tradeoffs associated with key decisions about organizational structure
• Overcoming U.S./India cultural differences that can complicate offshore development
• Selecting tools to support quantum leaps in productivity in your organization
• Using change management disciplines to support greater enterprise agility

  • Sales Rank: #740746 in Books
  • Published on: 2012-11-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 7.00" l, .75 pounds
  • Binding: Paperback
  • 208 pages

About the Author
Gary Gruver is formerly the Director of Engineering for HP’s LaserJet Core Firmware Lab, and he worked at HP for 22 years. He is currently VP of Release, QA, and Operations at macys.com. Any major initiative needs a true business sponsor—someone who has truly caught the vision of agile, and who can make the business and financial decisions necessary to get huge breakthroughs to happen. Gary has also been able to bring a “manage to metrics” approach that rallies everyone to common measurable objectives without requiring lots of meeting and coordination overhead. Of course, his most critical role is buying lunch during particularly busy sprints for anyone working weekends to finish off key features. His favorite hobbies are cycling and skiing with family (he’s married with two daughters).

Mike Young is the program manager directing day-to-day efforts across our many distributed teams at HP’s LaserJet Core Firmware Lab. Mike has been involved in development of HP LaserJet Printers for 18 years, and he previously designed satellite control systems for Hughes Aircraft Company. He also is one of the strongest advocates of agile approaches and helped get the organization started down this path before anyone really knew we were doing agile. His hobbies are family (he’s married, with two daughters and two sons) and playing racquetball. In agile, we’ve found that a program manager should spend most of his/her time watching the metrics and quietly coordinating behind-the-scenes to cater to the bottleneck. In our sprint checkpoints, we tend to minimize slideware and maximize problem solving and demos of new user stories.

Pat Fulghum is architect of the HP LaserJet FutureSmart firmware and its development team’s agile toolset. Pat’s been at HP for 24 years. He found out during the past few years that his favorite escape is scuba diving in Maui with his family (he is married and has a son and a daughter). A large-scale agile initiative requires a central architect who can help maintain architectural integrity amid many pressures to do otherwise (which keeps the system enabled for the future) and who has the vision for making sure the architecture supports both firmware development and qualification. Pat still loves to get in and dig deep to solve vexing technical challenges. He also loves to find developer productivity improvements (build time, triage time) and has been the passion behind our “10x productivity improvement” vision.


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Jumat, 17 Juli 2015

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Free PDF The Musician's Guide to Theory and Analysis and Anthology (Third Edition)By Jane Piper Clendinning, Elizabeth West Marvin

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The Musician's Guide to Theory and Analysis and Anthology (Third Edition)By Jane Piper Clendinning, Elizabeth West Marvin


The Musician's Guide to Theory and Analysis and Anthology (Third Edition)By Jane Piper Clendinning, Elizabeth West Marvin


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The Musician's Guide to Theory and Analysis and Anthology (Third Edition)By Jane Piper Clendinning, Elizabeth West Marvin

The most comprehensive and integrated package for every music theory classroom.

The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike.

The anthology includes over 100 outstanding teaching pieces written between the seventeenth century and the present. These scores constitute the text’s core repertoire; with the text’s spiral-learning method, students return to each work throughout the theory sequence. The selections represent a wide variety of genres and instruments to engage every student. For the Third Edition, the anthology has been expanded to include more works from the recent past.

  • Amazon Sales Rank: #174825 in Books
  • Published on: 2016-06-01
  • Original language: English
  • Dimensions: 11.00" h x 2.60" w x 9.40" l,
  • Binding: Spiral-bound
  • 1008 pages

Review “It attempts . . . to put the music first and the theory second.” - Brad Osborn (University of Kansas)“It is . . . accessible to every music major in a conservatory or university setting and chock-full of practical musical insights. I have had more success teaching with this text than with any other.” - Christopher Doll (Rutgers University)“Including video micro-lectures is fantastic.” - Greg McCandless (Full Sail University)“It is a complete undergraduate education in music theory, and then some, in one package.” - Peter Silberman (Ithaca College)

About the Author Jane Piper Clendinning is professor of music theory at the Florida State University College of Music. She has published articles reflecting her interests in the history of theory, theory and analysis of twentieth-century music, computer pitch recognition, and computer applications in music. Her current research interests include theory and analysis of popular and world musics. She has served as the chair of the Advanced Placement Music Theory Test Development Committee and as an AP reader, and is a regular consultant at AP workshops and summer Institutes.Elizabeth West Marvin is professor of music theory and former dean of academic affairs at the Eastman School of Music. She has published in the areas of music cognition, music theory pedagogy, theory and analysis of atonal music, contour theory, history of theory, and analysis and performance. She is past president of the Society for Music Theory and is currently co-chair of the Advanced Placement Music Theory Test Development Committee. Marvin is the 2012 recipient of the Gail Boyd de Stwolinski Prize for Lifetime Achievement in Music Theory Teaching and Scholarship.

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Sabtu, 04 Juli 2015

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Free Download Measurement and Evaluation in Human Performance

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Measurement and Evaluation in Human Performance

About the Author

James R. Morrow, Jr., PhD, is a regents professor emeritus in the department of kinesiology, health promotion, and recreation at the University of North Texas at Denton. Morrow regularly teaches courses in measurement and evaluation in human performance. He has authored more than 150 articles and chapters on measurement and evaluation, physical fitness, physical activity, and computer use and has made approximately 300 professional presentations. He has also conducted significant research using the techniques presented in the text. Morrow served as president of the National Academy of Kinesiology and as chair of the President's Council on Physical Fitness and Sports Science Board. He has received research funding from the United States Olympic Committee, the U.S. Centers for Disease Control and Prevention, the National Institutes of Health, and the Cooper Institute. He is a fellow of the American College of Sports Medicine (ACSM); the National Academy of Kinesiology (NAK); and the North American Society of Health, Physical Education, Recreation, Sport and Dance Professionals. He is also a research fellow of SHAPE America. Morrow has chaired the AAHPERD Measurement and Evaluation Council and is a recipient of that council's Honor Award. He has produced four fitness-testing software packages, including the AAHPERD Health-Related Physical Fitness test, and was editor in chief of Research Quarterly for Exercise and Sport from 1989 to 1993. He was the founding coeditor of the Journal of Physical Activity and Health. He enjoys playing golf, reading, traveling, and spending time with his grandchildren. Dale P. Mood, PhD, is a professor emeritus and former associate dean of arts and sciences at the University of Colorado at Boulder. Mood has taught measurement and evaluation, statistics, and research methods courses since 1970 and has published extensively in the field, including 47 articles and 6 books. He has been a consultant to five NFL football teams and chair of the Measurement and Evaluation Council of AAHPERD, and he is a former president of AAALF. He is a reviewer for Medicine and Science in Sports and Exercise, Measurement in Physical Education and Exercise Science, and Research Quarterly for Exercise and Sport. In his leisure time, Mood enjoys reading, officiating summer league swimming meets, traveling, following the activities of his 17 grandchildren, and participating in a variety of physical activities. James G. Disch, PED, is an associate professor in the sport management department at Rice University. From 1986 to 1991 he was master of Richardson College at Rice. From 1995 to 2001 he was chair of the kinesiology department. Disch has authored numerous articles, chapters, manuals, and texts in the areas of applied measurement, prediction in sport, and applied sport science. A member of AAHPERD (now SHAPE America) since 1974, he has been chair, secretary, and advisory board member of the measurement and evaluation council of AAHPERD. He was vice president of the college division of TAHPERD and had numerous section chair appointments. Disch is also a reviewer for Research Quarterly for Exercise and Sport and Medicine and Science in Sports and Exercise. Disch has coordinated several workshops and symposia on measurement and evaluation. He was a major contributor to the development of AAHPERD health-related fitness norms in 1980 and has worked as a consultant and advisor for Olympic and professional teams. In 1999 he received the National Measurement and Evaluation Council Honor Award, and in 2011 he was named a Sport Ethics Fellow of the Year by the International Institute of Sport and the Positive Coaching Alliance. He was named the TAHPERD Scholar for 2012. Dr. Disch served on the board of the RBI Foundation (Recycled Baseball Items) from 2009 until 2014 and is the current chair of the Houston chapter of the Positive Coaching Alliance. He is also on the local planning committee for the Joe Niekro Foundation Knuckleball. Disch earned his PED in biomechanics and measurement from Indiana University in 1973. Minsoo Kang, PhD, is a professor in the department of health and human performance at Middle Tennessee State University. He received his PhD in kinesmetrics (measurement and evaluation) in kinesiology with emphasis in IRT, Rasch, and psychometrics from the University of Illinois at Urbana-Champaign. Kang's research has focused on measurement and statistical methods and their applications to assessments of physical activity and sedentary behavior. He has published more than 70 refereed journal articles, made 9 book contributions, and presented more than 200 research projects. He teaches courses on data analysis, research methods, meta-analysis, research seminar, and current measurement issues in human performance. He enjoys playing badminton, golf, and tennis. Kang is a fellow of the American College of Sports Medicine (ACSM) and a research fellow of SHAPE America. He has chaired the AAHPERD Measurement and Evaluation Council and is a recipient of that council's Honor Award. Kang received the Distinguished Research Award at Middle Tennessee State University. He currently is an associate editor of the Research Quarterly for Exercise and Sports, a section editor of Measurement in Physical Education and Exercise Science, and a member of the editorial board for those journals.

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Product details

Paperback: 480 pages

Publisher: Human Kinetics; 5 edition (November 12, 2015)

Language: English

ISBN-10: 9781450470438

ISBN-13: 978-1450470438

ASIN: 1450470432

Product Dimensions:

8.5 x 1.2 x 11 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#234,981 in Books (See Top 100 in Books)

Great new book for a really tough class

The descriptions for the different types of validity and reliability for norm and criterion referenced standards were poor. I had to refer to other texts for clearer definitions. This is at best an entry level introductory text.

It a great book, it has words that make sentences and then that sentence makes a paragraph and its full of information that useful. Pictures are a plus too.

The book was in great condition. The information provided is okay.

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Jumat, 03 Juli 2015

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Ebook Intellectual Property (Clarendon Law Series)By Michael Spence

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Intellectual Property (Clarendon Law Series)By Michael Spence

It is essential to examine both the concept of intellectual property and the reasons why a legal system might incorporate such a concept. We are increasingly told that the wealth of nations, consists in 'intangible assets,' which include the products of human creativity, ingenuity and effort. It is frequently argued that these assets represent the future of the developed economies and that their adequate protection by the intellectual property regimes is essential to national, regional, and even global, prosperity. We are also told that the creators of such assets have a strong moral claim to them, and that developed legal systems should recognize this claim.

This text examines the ethical issues and debates surrounding intellectual property law and focuses on three aspects of the major intellectual property regimes: subject matter; the allocation of the first ownership of rights; and the scope of protection. These three aspects of the major regimes provide readers with a strong sense of the shape and purpose of the most important intellectual property systems.

  • Sales Rank: #6040069 in Books
  • Published on: 2007-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.70" h x 1.10" w x 8.50" l, 1.30 pounds
  • Binding: Hardcover
  • 250 pages

About the Author

Michael Spence is the Head of the Social Sciences Division of the University of Oxford, Fellow and Tutor in Law at St Catherine's College Oxford, and CUF Lecturer at the University of Oxford. He is also a Consultant to the London law firm Olswang Solicitors, and a Panelist of the WIPO Arbitration and Mediation Centre.

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Rabu, 01 Juli 2015

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Ebook Free 150 Gems of Irish Music for Tin WhistleBy Grey Larsen

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150 Gems of Irish Music for Tin WhistleBy Grey Larsen

150 Gems of Irish Music for Tin WhistleBy Grey Larsen


150 Gems of Irish Music for Tin WhistleBy Grey Larsen


Ebook Free 150 Gems of Irish Music for Tin WhistleBy Grey Larsen

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150 Gems of Irish Music for Tin WhistleBy Grey Larsen

Grey Larsen, in the 150 Gems collection, has given us a most welcome follow-up to his encyclopedic volume, The Essential Guide to Irish Flute and Tin Whistle (Mel Bay Publications, 2003) and The Essential Tin Whistle Toolbox (Mel Bay Publications, 2004). The Gems feature not only meticulously-selected tunes, but represent the first mjor offerings that use Larsen's innovative system of notating Irish ornamentation. This book and extended play online audio download will help players gain a deeper understanding of the Irish musical tradition as well as provide new material to enhance the experience of the solo player and Irish session participant alike.

  • Sales Rank: #2460553 in Books
  • Published on: 2015-07-02
  • Original language: English
  • Dimensions: 11.00" h x .32" w x 8.50" l,
  • Binding: Paperback
  • 140 pages

150 Gems of Irish Music for Tin WhistleBy Grey Larsen PDF
150 Gems of Irish Music for Tin WhistleBy Grey Larsen EPub
150 Gems of Irish Music for Tin WhistleBy Grey Larsen Doc
150 Gems of Irish Music for Tin WhistleBy Grey Larsen iBooks
150 Gems of Irish Music for Tin WhistleBy Grey Larsen rtf
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150 Gems of Irish Music for Tin WhistleBy Grey Larsen PDF

150 Gems of Irish Music for Tin WhistleBy Grey Larsen PDF

150 Gems of Irish Music for Tin WhistleBy Grey Larsen PDF
150 Gems of Irish Music for Tin WhistleBy Grey Larsen PDF

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